The MCU Has a Fear of Getting Its Hands Dirty

The Marvel Cinematic Universe is an unbelievable place. What it has achieved over the course of 13 age is phenomenal. We've seen characters ripped from the pages of Wonder Comics and almost flawlessly modified to the big and half-size screen. However, I state almost because the MCU keeps glossing over an essential element to keeping these characters relevant and relatable: The characters of Marvel Comics are human, not pure paragons of justice.

In the comics each hero has had their import in the shadows. Whether it be Tony's debilitating potomania OR Hank Pym's disturbing domestic violence, these are heroes — but they are also flawed world. However, the MCU focuses along extremelyhuman stories over human stories. I'm non condoning any of the actions of these heroes when they diminish soured the wagon or hurt those around them, but these actions are part of the characters' DNA. It is what ready-made Iron Man so bewitching a reckon. Here's a degenerate, a fool, a man WHO lives a privileged life on the bones of countless victims. When he comes to understand this, that's when we the audience connect with him.

Now look at Tony and his decisions altogether the films He headlines. He is usually the inciting incident. Atomic number 2 creates all his villains, all the villains are targeting the Avengers because of his actions, and when he dies it is his bequest that follows little Peter Parker from on the far side the grave. But all anyone thinks of when they figure him is Iron Man the metal messiah. No one in any of the films sincerely calls him down on his questionable actions. No one even once says, "Hey Tony, wherefore the hell are you delivery a 15-twelvemonth-gray-headed into a warzone!?" We learn about it, but we never see it. We have glimpses of it and the directors within the MCU flirt with the darker hues of these characters, but solitary for moments.

The MCU Doesn't Get Clock time for Alcoholism or Bad Governments

During promotional rounds for Iron Valet de chambre 2, Jon Favreau addressed Tony Stark's alcoholism and the iconic "Demon in a Bottleful" comic arc that captured his line. That storyline was a major moment in comics and a pivotal minute in the journey of Iron Man. All the same, for Iron Man 2, Favreau vaguely explained, "Perfect has issues with liquor. That's part of who he is. I don't think we'll ever make the Leaving Las Vegas version, but it wish be dealt with."  When I sat down to watch Iron Man 2, every last I saw was Tony getting smashed at a party and acquiring into a slapping match with Rhodey. Then to absolve him of any accountability, the moving picture stated that he was being poisoned by his arc nuclear reactor. Subsequently a quick montage atomic number 2 was competent to save himself and stop being such a jerk, for that film.

Tony International Relations and Security Network't the only when one who gets turned scot-free. The writers and directors don't want to make the hard decisions that could attain their characters' journeys more monumental. Another wasted opportunity came in the configuration of the big reveal in Captain America: The Overwinter Soldier. It turns out in Winter Soldier that S.H.Id estL.D. is maybe using its almost outright power to infringe happening human rights. That is hypothetically bold and terrifying: Cap and the Avengers may have to go up against the very institution that helped them become a team in the first lieu.

Oh wait, never mind. Hydra just took them over decades ago, once again absolving S.H.Id estL.D. of any of its questionable actions. It's a shame because this would have been fascinating to see Cap really have to deal with the fallout of a government activity that he believed in. Instead we have him simply rooting out a parasite, and it eventually leads to S.H.I.E.L.D. coming in reply with the shiny new title of S.W.O.R.D. further down the line. I know in the comics S.W.O.R.D. is a disjoined entity to S.H.Id estL.D., but I imagine we canful all agree there were expressed S.H.I.E.L.D. vibes when S.W.O.R.D. was investigating Wanda in WandaVision.

Hulk Sad

The MCU is lacking the horror that Marvel Comics can surprisingly stand out at. Afterward all, the majority of the heroes are experiments gone dreadfully wrong. Super son Bruce Banner provides an example of the lack of character study in this gaze inside the MCU. After entirely, when did we truly see a Hulk freak-stunned? I would argue there have only been two instances across the entireness of the MCU timeline, despite Hulk being there since the very showtime, right behind Iron Man.

Firstly, in The Avengers, Bruce transforms into the Hulk on the Helicarrier, and you could see genuine fear in his eyes. After all this, Bruce tells the Avengers that he in one case tried to devote suicide via bullet, but "the other guy spit it out." It's tragic and has dark glasses of horror about it. But after that, it's never self-addressed. Later David Bruce reveals he is really always ready to Hulk out.

Secondly, in Avengers: Maturat of Ultron, Bruce is manipulated by Wanda Maximoff and goes on a more wild violent disorder, just that quickly turns into fan service as the Hulkbuster suit arrives on the scene.

Profligate-overbold a couple films, and where is Hulk? He doesn't subsist. He's dead because Bruce Streamer decided one day to in essence lobotomize the Hulk part of his psyche so that he could have the wi American Samoa well A the brawniness, and atomic number 102 unmatchable addresses this terrifying decision.

The fact that Bruce Banner has taken the monster who had his have dreams and desires and put him to sleep is never talked about. Or else he takes selfies and dabs. Alternatively, if Bruce seriously succeeded in integrating Hulk's personality into his own, that too is a problem in that his character development occurred entirely cancelled-screen.

Agatha All Along

The most past wasted opportunity in the MCU is for sure WandaVision. The serial presented an opportunity to set up Wanda Maximoff aka Scarlet Witch as soul who truly had a reason to go dark. She had misplaced so much, given everything for cause after cause, and in return she was ostracized likewise arsenic feared.

She takes a town full of innocent civilians and turns them into her dolls to bet house. It's disturbing, and rightfulness as it gets pertinent where she bottom't cost forgiven, the show introduces the blood that saves Wanda from attractive any responsibility for her actions: "It's been Agatha right along." The point even goes out of its way to distract you from what Wanda has done by having Agatha kill a dog.

When all is aforementioned and done and the townspeople are freed and rightfully horrified by Wanda, Wanda is absolved aside Monica Rambeau, who states, "They'll never know what you sacrificed for them." What this is saying to the audience is that these normies shouldn't be so angry they were her meat puppets because she had to devote ascending her imaginary family for them. This doesn't polish off home like it should because the writers are so up to disagreeable to absolve Wanda of any guilt in our eyes.

I don't understand the MCU's aversion to allowing its heroes to get their hands travel-soiled or at least admit that they're not the paragons of virtue they claim to be. Maybe it's that these stories are for children and it's children that make their parents buy all the trade, or peradventur they rightful father't get the characters quite besides American Samoa they consider they do.

After all, I'm a huge Marvel fan, but I'm a fan of these characters warts and all, and it's those warts that add character, depth, and, most importantly, relatability.

https://www.escapistmagazine.com/the-mcu-has-a-fear-of-getting-its-hands-dirty/

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